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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Mr Zee (Wet plate collodion image), 2017 by Scott Anthony Andrews

Mr Zee (Wet plate collodion image), 2017

by Scott Anthony Andrews
Image
The Lambert

The Lambert

Beards

Barbering manuals of the turn of the century might describe this style as a ‘Van Dyck’, named after the Dutch painter Anthony van Dyck (1599–1641) who is known to have adopted this look.

The Singer, 2012 by Richard Payne

The Singer, 2012

by Richard Payne
Image

Portrait 57

Winter 2017
Magazine

The discovery of Dempsey's People, Australian rugby greats, Athol Shmith's progressive pictures, and powerful Indigenous portraits.

Ern McQuillan Senior
Ern McQuillan Senior
Ern McQuillan Senior

Ern McQuillan Senior, c. 1980s

Ern McQuillan OAM
Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
Purchased 2003

Losing Faith, 2004 by Alexandra Cody

Headspace 5

Crystal Gazing
Previous exhibition, 2004

Crystal Gazing: Headspace V, the fifth in the National Portrait Gallery's program of secondary student portrait exhibitions, invites students from Canberra and the surrounding regions to explore the possibilities of portraiture

Marcia Langton

Powerful energy

Magazine article by Dr Christopher Chapman, 2010

Dr Christopher Chapman explores the symbolism in the portrait commission of Marcia Langton by Brook Andrew.

Thomas Howard, 14th Earl of Arundel, 1629 Sir Peter Paul Rubens

Thomas Howard, 14th Earl of Arundel

Sir Peter Paul Rubens
Image
Hetti

Beauty and strength

Portraits by Michael Riley
Previous exhibition, 2014

Influential Indigenous Australian artist Michael Riley (1960 - 2004) created these portrait photographs between 1984 and 1990 - they stand as an intricately connected group portrait of the vibrant urban-based Indigenous arts community in Sydney's inner-west at a formative moment.

Oliver Cromwell, c. 1649 Robert Walker

Oliver Cromwell

Robert Walker
Image
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Canberra, ACT 2600, Australia

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency